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Product Information:
Digital Mixing with Ease
Digital mixers offer studio quality processing, highest fidelity, total recall of all settings and even remote operation. Those are hugely attractive features, but they all come at a cost - with bigger physical size, more complex operation requiring at least some degree of audio technical education.
The millions of analog small format mixers that Behringer has built over the years clearly tell us that there are many users who need a mixer that is compact, affordable, dependable and easy to operate.
Typical applications very often just need to balance the level of a handful of sources. So, why making things more complicated than they need to be? It is time for something genuinely new providing modern features and workflows to everyone in a simple and light form – it is time for FLOW 8 digital mixing.
EZ-Gain Assisted Gain Staging
Have you ever heard someone say, “you need to pay attention to your gain staging”? Do you know what the “gain structure” is about? When you are interested in clean and healthy signals, with low noise and low harmonic distortion, then adjusting the right amount of preamp gain is paramount. It is defining the amount of amplification a signal gets when entering the mixer. Since source signals can be anything from a strong hit on the snare drum, to the subtle hum of bees, there is not one gain fitting all possible purposes.
Gain staging is always a compromise and finding the right one requires either experience and technical knowledge, or the new FLOW 8 EZ-GAIN feature. The function can monitor signals on one or all channels at the same time, until you think the loudest sounds have been put to it. EZ GAIN will then automatically adjust the channel gain to the optimum headroom.
Oh, by the way, EZ GAIN will automatically engage the 48 V phantom power on mic inputs 1/2 when no signal is coming in, just in case you forgot to do that. It will switch it off again if no signal is coming in still.
Specifications
Mic Inputs
| Mic inputs 1 / 2 | |
| Type |
2 x XLR jacks, balanced |
| Mic E.I.N. (20 Hz to 20 kHz) |
-129 dBu, A-weighted |
| Distortion (THD+N) |
< 0.004%, A-weighted |
| Max. input level |
+20 dBu |
| Impedance |
10 kΩ balanced, 5 kΩ unbalanced |
| Mic inputs 3 / 4 | |
| Type |
2 x XLR / 1/4" TRS combo jacks, balanced |
| Mic E.I.N. (20 Hz to 20 kHz) |
-117 dBu, A-weighted |
| Distortion (THD+N) |
< 0.01%, A-weighted |
| Max. input level |
XLR: +6 dBu TRS: +26 dBu |
| Impedance |
XLR: 2 kΩ balanced, 1 kΩ unbalanced TRS: 20 kΩ balanced, 10 kΩ unbalanced |
| Gain range |
-20 dB to +60 dB |
| Phantom power |
+48 V, switchable (inputs 1 / 2 only) |
Line Inputs
| Type |
2 x 1/4" TRS jacks, balanced (channels 5L / 7L) |
| Impedance |
20 kΩ balanced, 10 kΩ unbalanced |
| Gain range |
-20 dB to +60 dB |
| Distortion (THD+N) |
0.005%, A-weighted, 0 dB gain, 0 dBu out |
| Max. input level |
+22 dBu |
Guitar (Hi-Z) Inputs
| Type |
2 x 1/4" TRS jacks, balanced (channels 6R / 8R) |
| Impedance |
2 MΩ balanced, 1 MΩ unbalanced |
| Distortion (THD+N) |
0.005%, A-weighted, 0 dB gain, 0 dBu out |
| Max. input level |
+19 dBu |
Channel EQ
| Low |
±15 dB @ 20 Hz, shelving |
| Low mid |
±15 dB @ 300 Hz |
| High mid |
±15 dB @ 1.5 kHz |
| High |
±15 dB @ 20 kHz, shelving |
Monitor Outputs
| Type |
2 x 1/4" TRS jacks, balanced |
| Impedance |
75 Ω, balanced |
| Max. output level |
+14 dBu |
Main Outputs
| Type |
2 x XLR jacks, balanced |
| Impedance |
150 Ω, balanced |
| Max. output level |
+14 dBu |
Phones Output
| Type |
1 x 1/4" TRS jack, stereo |
| Max. output level |
+18 dBm / 40 Ω |
Footswitch Input
| Type |
1 x 1/4" TRS jack (tip / ring normally open) |
| Function configurable |
FX mute / Tap tempo or Snapshot load next / previous |
Input / Output and Processing
| Frequency range |
10 Hz to 22 kHz (+0/-1 dB) |
| Dynamic range, analog in to analog out |
Typ. 108 dB |
| I/O latency |
0.6 ms |
| Signal processing |
32-bit VFP (Vector Floating Point) |
| A/D - D/A conversion |
24-bit / 48 kHz |
| Dynamic range |
114 dB |
| Number of input processing channels |
10 input channels, 4 fx return channels |
USB Audio Interface
| Interface type |
USB 2.0 |
| Connector |
Type B |
| Bit depth |
24-bit / 48 kHz |
| Channels |
10 out / 2 in |
Bluetooth
| Frequency range |
2402 MHz ~ 2480 MHz |
| Channel number |
79 |
| Version |
Bluetooth spec 4.0 compliant |
| Compatibility |
Supports A2DP 1.2 profile |
| Max. communication range |
12 m (without interference) |
| Max. output power |
8 dBm |
Power Supply / Voltage
| Connector |
Micro-USB |
| Power supply |
5 VDC 2A |
| Power consumption |
Max. 10 W (typ. 5 W) |
Dimensions / Weight
| Dimensions (H x W x D) |
48 x 229 x 172 mm (1.9 x 9.0 x 6.8") |
| Weight |
1.4 kg (3.1 lbs) |
Warranty
3 Years WarrantyShipping & Delivery
All orders over $100 will be automatically eligible for FREE Shipping Australia Wide, if you order is under $100 there will be a flat rate of $10.
Belfield Music is well known for its top online customer service. We treat all online customers with the same excellent service we give to our in store customer. We will ensure that you receive all the support you need while your goods are in transit and ensure the goods arrive promptly. All of our shipments have tracking numbers available and we cover every single unit by our own shipping insurance.
Online orders are normally processed within 1-3 business days. Once processed, your order should take between 1-8 business days to arrive depending on your location. Please note that your order may take up to 10 business days to arrive from the day you place your order.
If it transpires that the product is out of stock due to a stock discrepancy and/or there will be a delay in shipment, we will contact you within 2 business days of placing your order and give you the option of waiting or cancelling your order. The products we advertise online should show if they are in stock or not. We do our best to keep the website stock count up to date, but there may be an occasional error.
If you wish to utilize an Express Delivery Service to receive your item, please contact us for a shipping quote before you place your order at admin@belfieldmusic.com.au or by using the Chat icon on the bottom right of the page.
Deliver is made during the hours from 8:00am till 5:30pm Monday to Friday. As such, please ensure you nominate an address which is capable of receiving goods during 8am and 5.30pm. Given the restrictions on PO Box deliveries we cannot deliver larger sized items to a PO Box.
If for any reason our selected carriers don't service your area we will contact you before processing your order if this applys to you.
Returns Policy
If you wish to return an item which is not damaged or faulty in any way and you have simply changed your mind or made the wrong decision, you must let us know within 7 days of receiving the item. We will not agree to refund an item because you simply changed your mind or made the wrong decision if we have not been advised of your intention within 7 days of receiving your item. Once we have provided a return authority, it is the buyer’s responsibility to return the item, at their own costs within 30 days from original purchase. If the item is returned with any damage or alteration to its original packaging, we will refund the item subject to applying a minimum 15% restocking fee. We will not refund the costs of the initial shipping charges.
It is in Belfield Music best interests to keep our customers happy with their purchases. If you are not happy with your purchase, please talk to us first. We will always attempt to resolve any problems you may have as best we can. To contact us please email us at admin@belfieldmusic.com.au or by using the Chat icon on the bottom right of the page.
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