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Product Information
Delay Doppelgänger.
DIG unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential.
Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails, all in a compact, pedalboard-friendly format.
Rack To The Future.
Rack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.
Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode.
Multiply these distinct voicings by two and get DIG — your perfect dual delay ally.
Classic Sound, New Features.
Our second generation DIG keeps the same distinctive rack-mount digital delay tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.
Delay Types
Two Delays
Routing Options
Delay Controls
Modulation
Tone
Circular Repeats
Voices Of Digital. Don’t all digital delays sound the same? What gives a digital delay its own unique personality? Digital conversion technologies in the late 70s were advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits. Their imaginative solutions to the limitations of the conversion process resulted in delays that possessed some unintended, unique characteristics. DIG accurately and beautifully reveals their individual personalities. ADM – A one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and pre-emphasis/deemphasis create a percussive wide-band delay that adds more character when input dynamics increase. 12 bit – A 12 bit, 32kHz PCM conversion made possible by monolithic IC chips developed in the late ’70s. Pre-emphasis/de-emphasis and companding combine with the converters to produce a warm delay with a dimensional sense. 24/96 – A clean, high-resolution, high-bandwidth delay with a hint of dynamics that allow the delay to sit nicely with the analog dry signal. 24 bit resolution and a 96kHz sampling rate ensure uncolored, artifact-free repeats.Limitless Possibilities. Choose Your Bypass Mode. DIG lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.Our new generation of DIG features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG EXP/MIDI jack or USB-C connection. Delay times can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings. Remotely bypass or engage the pedal, sync delay time changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.
Analog Touch. Uncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. DIG feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.
On Another Level.
Pedals aren’t just for guitarists. DIG’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage. By setting DIG to line level input mode, you get 10dB of added headroom, allowing you to use DIG with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.
Moving In Stereo. No need to make compromises when it comes to signal routing or pedal placement — DIG features full stereo in/out capabilities. A single TRS input jack allows DIG to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set DIG for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use DIG as a stereo effect.Power To The Pedal. Significant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.
Specifications
- High impedance ultra low-noise discrete Class A JFET TRS stereo input.
- Low impedance independent TS stereo outputs.
- Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.
- USB jack for controlling via MIDI from a computer or for performing firmware updates.
- Dedicated Tap Tempo & On/Off footswitches
- Premium JFET analog front end
- Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
- 520MHz ARM Superscalar processor
- 32-bit floating point processing
- 20Hz to 20kHz frequency response
- Audio Input Impedance: 1M Ohm
- Audio Output Impedance: 100 Ohm
- Strong and lightweight pink aluminum chassis
- 9V DC power supply included
- Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current
- Dimensions:
- 4.5” deep x 4” wide x 1.75” tall
- 11.4 cm deep x 10.2 cm wide x 4.4 cm tall
- Designed and built in the USA
Warranty
1 Year WarrantyShipping & Delivery
All orders over $100 will be automatically eligible for FREE Shipping Australia Wide, if you order is under $100 there will be a flat rate of $10.
Belfield Music is well known for its top online customer service. We treat all online customers with the same excellent service we give to our in store customer. We will ensure that you receive all the support you need while your goods are in transit and ensure the goods arrive promptly. All of our shipments have tracking numbers available and we cover every single unit by our own shipping insurance.
Online orders are normally processed within 1-3 business days. Once processed, your order should take between 1-8 business days to arrive depending on your location. Please note that your order may take up to 10 business days to arrive from the day you place your order.
If it transpires that the product is out of stock due to a stock discrepancy and/or there will be a delay in shipment, we will contact you within 2 business days of placing your order and give you the option of waiting or cancelling your order. The products we advertise online should show if they are in stock or not. We do our best to keep the website stock count up to date, but there may be an occasional error.
If you wish to utilize an Express Delivery Service to receive your item, please contact us for a shipping quote before you place your order at admin@belfieldmusic.com.au or by using the Chat icon on the bottom right of the page.
Deliver is made during the hours from 8:00am till 5:30pm Monday to Friday. As such, please ensure you nominate an address which is capable of receiving goods during 8am and 5.30pm. Given the restrictions on PO Box deliveries we cannot deliver larger sized items to a PO Box.
If for any reason our selected carriers don't service your area we will contact you before processing your order if this applys to you.
Returns Policy
If you wish to return an item which is not damaged or faulty in any way and you have simply changed your mind or made the wrong decision, you must let us know within 7 days of receiving the item. We will not agree to refund an item because you simply changed your mind or made the wrong decision if we have not been advised of your intention within 7 days of receiving your item. Once we have provided a return authority, it is the buyer’s responsibility to return the item, at their own costs within 30 days from original purchase. If the item is returned with any damage or alteration to its original packaging, we will refund the item subject to applying a minimum 15% restocking fee. We will not refund the costs of the initial shipping charges.
It is in Belfield Music best interests to keep our customers happy with their purchases. If you are not happy with your purchase, please talk to us first. We will always attempt to resolve any problems you may have as best we can. To contact us please email us at admin@belfieldmusic.com.au or by using the Chat icon on the bottom right of the page.
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